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Axel Oxygen 4 Digital FM Broadcast mixing console

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OXYGEN 4 DIGITAL is a fully digital mixing console powered by the latest Texas Instruments DSP processors, with 18 digital and analogue inputs, a crosspoint router, 32 bit processing, sampling rates up to 96kHz, sample rate converters on all the digital inputs, and both EQ and dynamics on every channel.

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EUR 5.799,99 tax incl.

Model 

  • Oxygen-Core
  • Oxygen-8-F-4VU/4
  • Oxygen-8-F
  • Oxygen-4-F

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OXYGEN 4 DIGITAL Mixing Console

 

 

Product Discription:
Oxygen 4 Digital is a fully digital mixing console powered by the latest Texas Instruments DSP processors,
with 18 digital and analogue inputs, a crosspoint router, 32 bit processing, sampling rates up to 96kHz, sample rate converters on all the digital inputs, and both EQ and dynamics on every channel.
All those tools can be accessed from the control surface, but they can also be controlled from a PC attached to the console via an IP network.
Like most other similar products, Oxygen 4 Digital follows the system architecture of a rack mounted digital engine and a separate control surface with 8 fader.

APPLICATIONS:

  • Digital Desktop mixer
  • Reporter desk
  • Small edit suites
  • Remote controllable audio work places
  • Mobile applications
ENGINE:

The 19 rack is the heart of Oxygen 4 Digital. All audio processing and routing takes place in this unit. you
can find 4 MICs, 2 Mono analog and 5 Stereo analog Inputs, 7 Stereo Digital Inputs and Outputs all with
sample rate converters. You have dedicated analog outputs for PROG, SUB, AUX, CRM and PHONES.
The control surface and DSP engine can be separated by up to 5 metres using a 15 way D-sub ended cable.
Signal processing takes place in one DSP. Processing uses precise floating-point calculations at a wordlength
of 32 bit. All audio signals throughout the console preserve their 24 bit resolution from the input conversion. Even 16 bit data streams, like CD-players, have 24 bits reserved.
 
CONTROL SURFACE:
Oxygen 4 Digital control surface is divided into two distinct areas on the conventional lines of input and master sections. The input channels comprise eight identical strips.
Starting from the bottom we have a full size fader which obviously controls the level for whatever source is routed to that channel, but in software it can also be configured to perform fader start, red light switching and monitor muting.
Above and to the left of the fader, a group of eight LEDs show status information for that strip. The two larger ones indicate which of the two main output busses the strip is routed to: Programme or Sub. This signal is always post-fade and post the channels On switch. The Sub buss would usefully provide a stereo clean feed to (for example) external codecs.
The next group of three indicators is dedicated to the aux buss and the assignable EQ and dynamics. The aux buss is stereo and may be selected independently on each channel as a pre or post-fade send. Each Oxygen 4 Digital channel may also be assigned a dynamics control function a combined compressor-limiter with a single control. The EQ provides 3 bands, each with a range of 2 octaves. The pre-set centre frequencies of 120Hz, 1.2kHz and 12kHz are sensible choices, but they maybe changed in software should other values be
preferred.
A simple three LED meter is provided on each channel indicating audio levels at -20, 0 and +9dB.
Each strip supports two large illuminated buttons labelled On and Cue. The On button functions pretty much as you would expect, and it may additionally be configured to provide a machine start command.
The Cue button enables a pre-fade listen, and this too may be configured in software for various other functions.
At the top of the channel are the two most obviously digital controls: a single rotary encoder and a 2 line LED alpha display.
The latter shows the currently assigned input on the top line, while various options are displayed on the lower line.
The encoder maybe turned or pushed, depending on what function is currently selected.
For example, switching to an output buss is achieved by pushing the knob to switch the selected buss routing on or off, whereas setting an input level is a rotary function.
 
***For more information Check our PDF Attached
Technical Facts:
I/O CAPABILITIES:
    • INPUTS INPUTS
    • 6x stereo Dig inputs (AES3)
    • 1x stereo dig input (s/p-dif optical or coax)
    • 6x stereo balanced line inputs
    • 1x stereo unbalanced line input
  • 4x balanced mic inputs + Inserts

  • 6x stereo digital outputs AES3

  • 1x stereo digital output s/p-dif optical + coax

  • 1x stereo Program analog

  • 1x stereo SUB analog

  • 1x stereo CUE analog

  • 1x stereo AUX analog

  • 1x stereo CRM analog

  • 2x stereo PHONES analog

The OXYGEN 4 DIGITAL Mixing Console is available in 4 Models:

Oxygen-Core:

Mixer core - Digital inputs: 6xAES/EBU , hS/P-DIF -Analog inputs: 6x stereo bal., l x
stereo unbal., 4x bal.mic with inserts - Digital outputs: 6xAES/EBU, lxS/P-DIF -
Analog outputs: hPGM, hSUB, lKUE, IxAUX, hCRM, 2xHeadsets.

Oxygen-4-F:

Digital audio mixing console, control surface 4 faders. 6xAES/EBU inputs, 6x bal.
stereo inputs, 4x bal. mic inputs with insert PGM, SUB, CUE, AUX, 2 Telco. Rs232 +
lp control. Channel Label, EQ and Dynamic features Routing audio. IN/OUTwith
GPIO controls

Oxygen-8-F:

Digital audio mixing console, control surface X faders. 6xAES/EBU inputs, 6x bal.
stereo inputs, 4x bal. mic inputs with insert PGM, SUB, CUE, AUX, 2 Telco. Rs232 +
lp control. Channel Label, EQ and Dynamic features Routing audio. INIOUTwith
GPIO controls

Oxygen-8-F-4VU/4:

Digital audio mixing console, double console, double control surface 4+4 faders 6x
AES/EBU inputs, 6x bal. stereo inputs, 4x bal. mic inputs with insert PGM, SUB, CUE,
AUX, 2 Telco. Rs232 + lp control. Channel Label, EQ and Dynamic features Routing
audio. INIOUTwith GPIO controls

 

 

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Axel Oxygen 4 Digital FM Broadcast mixing console

Axel Oxygen 4 Digital FM Broadcast mixing console

OXYGEN 4 DIGITAL is a fully digital mixing console powered by the latest Texas Instruments DSP processors, with 18 digital and analogue inputs, a crosspoint router, 32 bit processing, sampling rates up to 96kHz, sample rate converters on all the digital inputs, and both EQ and dynamics on every channel.

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